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Literary notes about still (AI summary)

The word “still” functions in literature as a marker of continuity and persistence, often highlighting an unchanging state amid dynamic circumstances. In philosophical discourse [1], it questions whether old beliefs remain relevant, while in dramatic narratives [2] and [3] it signals both physical immobility and the deliberate pause before decisive action. It also captures the quiet atmosphere of a scene, as seen in [4] and [5], evoking moments where time seems to suspend itself. Moreover, “still” frequently serves to intensify contrasts or reinforce lasting emotional conditions—whether it underscores habitual actions in [6] and [7] or imbues a sense of lingering tension and uncertainty found in [8] and [9]. This versatility allows authors to subtly weave themes of persistence, lingering presence, and resistance to change throughout their works.
  1. And now do we still hold to our former assertion, that rhythms and music in general are imitations of good and evil characters in men?
    — from Laws by Plato
  2. But being charg'd, we will be still by land, Which, as I take't, we shall; for his best force Is forth to man his galleys.
    — from The Complete Works of William Shakespeare by William Shakespeare
  3. Go, live still; Be Alcibiades your plague, you his, And last so long enough!
    — from The Complete Works of William Shakespeare by William Shakespeare
  4. By the moonlight, Lady Dedlock can be seen in profile, perfectly still.
    — from Bleak House by Charles Dickens
  5. The attic had been very still all the day after Sara had left it in the early morning.
    — from A Little Princess by Frances Hodgson Burnett
  6. She embraces me, kisses me and lisps endearments which I heard her lisp when she was still a baby.
    — from The Bet, and other stories by Anton Pavlovich Chekhov
  7. I can still read pretty well; I can still hold the attention of my audience for two hours.
    — from The Bet, and other stories by Anton Pavlovich Chekhov
  8. if he whom you mourn still lived, still would he be the object, again would he become the prey, of your accursed vengeance.
    — from Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
  9. “Is it possible, is it possible,” flashed through his mind, “that he is still lying?
    — from Crime and Punishment by Fyodor Dostoyevsky

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