The term “meditation” in literature is remarkably versatile, serving as a metaphor for deep introspection, spiritual discipline, and even casual contemplation. In many works, such as those by Paramahansa Yogananda, meditation is presented as a sacred practice—a conduit to divine insight and self-realization ([1], [2], [3], [4], [5]). At the same time, authors like Mark Twain and Cicero harness the term to describe moments of thoughtful rumination or to underscore the burdens of existential thought ([6], [7], [8]). For figures like Dante and even in classical military treatises like Sunzi’s, meditation bridges philosophy and practical wisdom, suggesting that reflective thought underpins both beauty and strategy ([9], [10]). Moreover, literature occasionally imbues the act with a lighter, even ironic, tone—as when characters become absorbed in their own private reveries or when the deliberate stillness of meditation is intermingled with everyday life ([11], [12]). Overall, “meditation” emerges not only as a spiritual exercise but also as a literary device that deepens character insight and enriches narrative texture.