In literature, "manifestation" frequently serves as a bridge between the internal and the external, encapsulating hidden qualities or abstract forces that become visible in the tangible world. Authors employ it to denote both an internal emergence and an outward expression of inner essence or cosmic will—for instance, when an emotion or personality trait becomes evident in a character's behavior [1][2]. At the same time, philosophers like Schopenhauer and Nietzsche use the term to articulate the physical or observable display of metaphysical ideas or unfettered powers [3][4][5]. Moreover, "manifestation" often connotes the symbolic expression of divine or transcendent qualities, as seen in depictions of God or sacred energy coming into perceptible being [6][7]. In all its uses, the word encapsulates the dynamic process by which the unseen is rendered visible, imbuing narrative and thought with layers of meaningful revelation.