The term “battery” exhibits a remarkable flexibility in literature, shifting its meaning according to context and authorial intent. In many military narratives, it denotes an organized array of artillery—cannons, howitzers, or mortars—deployed for tactical effect, as vividly illustrated in descriptions of battle formations and maneuvers ([1], [2], [3], [4], [5], [6]). At the same time, authors have appropriated the word in metaphorical and experimental ways: Edgar Allan Poe, for instance, uses “battery” to evoke both physical and electrical sensations, whether in the manipulation of muscles or in describing galvanic phenomena ([7], [8], [9], [10]). Beyond these, “battery” extends into legal and societal realms, featuring in discussions of “assault and battery” to denote unwarranted physical aggression ([11], [12], [13]); and even in modern technical contexts, it represents a power source essential to devices, as seen in manuals concerning sabotage and portable energy ([14], [15], [16]). This wide-ranging usage not only enriches the text but also reflects how a single term can carry diverse connotations—from the concrete infrastructure of warfare to the abstract constructs of law and technology.